ʜᴀɪʀᴄᴜᴛ (
shrinkage) wrote in
entranceway2018-01-15 12:11 pm
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Entry tags:
- arrow: oliver queen,
- blindspot: kurt weller,
- blindspot: sarah weller,
- dangan ronpa: ryoko otonashi,
- gravity falls: stanley pines,
- legends of tomorrow: ray palmer,
- marvel: kitty pryde,
- marvel: natasha romanoff,
- marvel: peggy carter,
- once upon a time: killian jones,
- persona 4: seta souji,
- the adventure zone: taako tacco,
- the walking dead: daryl dixon,
- turn: washington's spies: caleb brewster,
- wynonna earp: waverly earp,
- wynonna earp: wynonna earp
ᴛᴇxᴛ / ᴀᴄᴛɪᴏɴ ( open )
( ACTION | from the pool up to floor 6 )
( TEXT | anonymous )
( ooc | feel free to run into him at a place of your choosing in the mansion, if you'd like )
[ the first thing ray wants after he drags himself out of the pool is to follow his instincts toward home. his feet leave wet sloshes in a path behind him up to the sixth floor, dressed in a drenched set of coveralls, work boots, and a STAR labs cap with the brim in the back.
the people he passes moving through the halls in a haze are fuzzy but familiar. he smiles back and says hello-- and even gets names right now and again. but he presses on, excusing himself after brief exchanges.
he lets himself into room 004. lets it feel like he's where he belongs. lets the water soak the carpet as he stands hesitantly in the doorway, waiting for a weller welcome in one of two flavors. ]
...Hello? Hon? Kurt?
( TEXT | anonymous )
could wonderland actually be our real homes?
( ooc | feel free to run into him at a place of your choosing in the mansion, if you'd like )
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[ g u l p ]
Yeah, thanks!
[ need a moment? ray reaches forward for the truffle and shoves it in his mouth about as gracefully as hippo on ice. phew. now he can think of something witty and disarming. ]
Long ... enough? I guess?
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she frowns. it's as if her verdict is just out of reach. ]
You went back home, didn't you? [ a tilt of her head -- she knows the truth, she pays attention, she went walking with sarah in the snow -- but she nevertheless gives him an opportunity to explain the circumstances for himself. ]
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[ if only he were in a less disoriented state-- he might recognize that look he's getting. as it is, he's used to being unseen. he shrinks a little and reaches up to fidget nervously with his cap. thinking of peggy brings up all sorts of mixed memories, and mixed emotions on top of those feelings.
but she's trustworthy, right? ]
I'm a little off, I guess. You know how Wonderland messes with your head.
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[ his self-admitted offness, even so qualified, brings about some relief. it's good that he acknowledges it -- and hearing him do so allows her to nurture that hunch a little longer and with far less guilt.
and peggy knows, deep down, that she should probably deliver him and his funny little cap and his coveralls back to his room -- back to sarah -- but there's something stopping her. that cool calculating curiosity, maybe.
so despite having just eaten, she glances over her shoulder at the dining room. ] Ray. Are you at all peckish?
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[ on the one hand, he's suddenly and viscerally remembering the dining rooms' capabilities. he could have something other than drive through fries and cheap take out and ramen. more truffles, probably.
it's just-- ]
I was heading up to go find Sarah. It's usually what I do first when I get back from these things.
[ and maybe that's the biggest clue of all-- that ray isn't falling over himself to be amenable to someone else's wishes. how novel? ]
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Does she not know you're here? [ innocent enough. she glances beyond him, as if eyeing the very hallway. ] Then, by all means, you should head on up.
[ which sounds like the final word, doesn't it? but before any farewells can be made, peggy adds: ]
But perhaps you could pencil me in for lunch, tomorrow, instead.
[ give him his reunion. let him luxuriate in it. after all, there's no sarah where he just came from. and she supposes that one some level she can understand that predicament, even if she doesn't perfectly empathize with it. ]
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he's just desperate to get up to her. to have someone help him figure out this jumble of lives that are fighting inside him. ]
Me? Pencil you in? [ he balks at the turn of phrase not in disgust but abject self-deprecation. ] Sure, yeah. You like cheeseburgers, right?
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although, although, although -- a jolt of worry makes her wonder whether this is the mirror. is that too much of a coincidence? for the man to leave a week prior and the mirror to sneak in just in time to replace him?
the thought makes her grimace. just for a moment. ]
Yes, Ray. [ she assures him. ] I like cheeseburgers.
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[ an actual double thumbs-up to that, even. his trademark sunny smile takes its rightful place on ray's mug, and he turns to start squish-squish-squishing on his way home.
then he can ask sarah if he makes rigid appointments for stuff all the time. yikes. ]
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but the next day, right around lunchtime, peggy makes good on her appointment. there's a part of her that thinks ray mightn't even show up -- he'd seemed a different kind of flighty when she'd met him, dripping wet, in the hall.
still, peggy strides into the diner all the same. the worst case scenario still leaves her eating a plate of food -- so it can't be all that bad. but she takes a booth about mid-distance down the wall and folds her coat over the back of the bench. she glances around as she takes a seat and suddenly -- viscerally -- regrets not coming here sooner. it reminds her of the l&l. ]
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he's simply obviously used to taking light steps. sticking to the sidelines. his wonderland wardrobe was preppy and simple but full of bold jewel tones and soft fabrics. now he wears neutral colors, utilitarian and meant to be disposable. the clothing a man with more practical concerns and little ego might choose.
he lopes, still-- slower and with far more care for his surroundings than usual. his smile is warm, but distant. he's used to having only acquaintances. lunch with who he now remembers he considers family has lifted his spirits. it's just not quite enough to break his instincts yet. ]
Hey, Peggy. [ he folds into the opposite booth with particular care for not taking up too much space. ] I didn't keep you waiting, did I?
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but she finds none of it. huh. she'd be impressed, really, if she thought he was dissembling on purpose. calmly, peg reaches for a paper napkin from a stainless steel dispenser -- pretending to blot the corner of her lipstick when, in fact, she's only trying to line up the metal so that it might better reflect the man. it's a silly little precaution in case he is ray's mirror. ]
If you did, I didn't mind it. [ it's a moderately playful answer. it speaks to familiarity and friendliness. peggy's been getting better at that, lately -- she accepts more and rejects less. ] -- How are you doing?
[ a little too forceful; a little too curious. she sits with her elbows on the table. ]
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[ he smiles gratefully for her kindness, but his eyes eventually drop to the menu. ray's always been a fidgeter, but in more controlled bursts-- learned adjustments to make his behavior a little easier to tolerate.
it's unbridled now, his knee bouncing under the table in some rhythm only he can hear. after a few clacks of his teeth, he glances back up at peggy as if he'd forgotten his own niceties, and a glimpse of an ex-businessman appears: ]
Oh, hey-- what about you? Things OK around here this week?
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and yet that's exactly what she does in the moments following his question. first, she reaches for her mug (tea; black; unpolluted) and weighs her way forward before she speaks. ]
Oh, I'm perfectly alright. [ true enough. things have been going oddly well for agent carter. except-- ] But Jane's still staying with me.
[ she doesn't expand on that comment. instead she waits to see if he remembers. if he knows. ]
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ray nods, slow and solemn. he remembers how good peggy is at the deflection thing, now. ]
Oh, right. How is she? I didn't get a chance to ask Sarah last night.
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She's surviving. [ it's a charitable description. ] It goes without saying that there will be no tidy solution to the situation. [ ... ] But Sarah must be relieved to have you back.
[ deflection, indeed. ]
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[ and then he nods, unsure how to navigate the mix of feelings the conversation brings up. ]
It's always hard, even though we know it'll happen. Eventually one of us is gonna be gone for real. I've done this a couple other times and it doesn't get easier.
[ when it comes time to order, ray seems to have fully become a weller. and lost his concern about consuming gluten. double bacon cheeseburger. extra fries. chocolate cherry milkshake. no water, no salad, no guilty looks. just ravenous hunger, apparently. ]
But that's just Wonderland, you know? All you can do is all you can do sometimes.
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but when they're alone again: ]
Surely you don't really believe that.
[ or maybe he does. maybe he has all along. and that's what's bothering her, in the end. ]
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[ the leg bounce has turned into him folding a napkin together and then tearing it into tiny squares. methodical, but messy. ]
Well, I just mean stuff happens. Sometimes there's nothing you can do about it, there's no shame in that.
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she thinks back to the man's wedding. his optimism, his excitement, his unbridled enthusiasm for striding ever-forward. and she remembers mister hunter's poignant speech made before the exchanging of the vows and the kiss. afterwards, with a drink in hand, rip tipped her off that ray himself had been a significant source of inspiration for the speech's built-in hope.
peggy's attention drops -- she watches as ray destroys a napkin. somehow she just about manages not to scold him. ]
Some things can't be walked back. And, sometimes, we don't get second chances. Let alone third or fourth ones. Although I think Wonderland likes to make us believe that chances come in abundance.
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[ sounds really smart and self-possessed, too. it's the sort of sentiment that scratches ray himself sometimes, in the back of his mind. the moments that little voice that tells him something's off is loudest.
he usually just turns up the tv when that happens. sometimes he gives in. sometimes. ]
But also I've been here for almost two years. I talked to someone yesterday who's been here for six. At some point you gotta put your energy somewhere else.
[ like your k/d ratio. uh oh this is getting too real abort abort ]
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[ a few weeks ago, someone quoted her a relevant bit of othello. and she could repeat it, now, but she spares ray that particular technique. trying to catch out the differences and the shortcomings in ray as he is now is less satisfying, she realizes, than first believed.
it only serves to make her sad. ]
But I suppose stranger things have happened. Once upon a time, I didn't believe they'd ever put a man on the moon.
[ peggy can't help herself. she leans forward and begins brushing the torn napkin pieces into a pile. ]
-- How long were you back in your home world, Ray?
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but he looks chagrined, suddenly. like he's been caught stealing expensive equipment from his employer and totally was gonna return it. ]
I don't actually know. It's weird.
[ he leans forward for a second on instinct, but quickly rethinks it and shifts back. after a moment of assessment -- yeah, this is better -- he returns to drop his very (not at all) secret bomb. ]
We think Wonderland whammied me, maybe. I don't know if you've noticed cause I've been trying to play it cool? But I'm kinda different than before.
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all while watching his physical indecision telegraph every length and measure of the psychological. peggy takes her opportunity to lean in, just an inch, and whisper: ]
Well done. I had no idea.
[ -- but she lays the sarcasm on a bit thick. ]
i laughed and scared my dog awake bravo
Oh, good. It's a lot of work! I'm like-- [ flappy hands ] --such a brain! It's rough.
get up, pup! no time for naps!
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